Showing posts with label snakes. Show all posts
Showing posts with label snakes. Show all posts

Wednesday, January 26, 2011

Tattoorism: Sean Returns, Part 2

Last week, I shared more of reader Sean's vast tat-alog here. It's time to finish off our inventory of this very generous fan o' the site. Let's see what we have:

...I got a clipper ship on my upper arm.  The ship is navigating through a background of clouds and lightning bolts and has a banner underneath reading “Hope.”  Its meaning follows the same idea behind my anchor tattoo.  Hope is a huge part of having a positive mental attitude, which I try (sometimes with little luck, of course) to hold at all times.  It’s a reminder that you can make it through stormy parts of your life, no matter how bad they get.  It’s also done in the traditional style I love so much.  The tattoo was done by Mike Schweigert at Electric Tattoo in Bradley Beach, NJ.

While attending [the 2010] Philadelphia Tattoo Arts Convention, I decided to get a tattoo to commemorate my first convention.  For as many years as tattoos have been a part of my life, this was my first convention...I got a blue rose with a candle spouting out of it in between my sparrows and flower on my outer elbow. 

I’m a firm believer in everyone having a different reasoning for getting tattoos.  Some are used as place markers in one’s life, some are used to remember an event, some have deep profound meanings and some are just aesthetically pleasing. I could probably come up with some in depth meaning behind the tattoo, but in the end, I got it to commemorate my first tattoo convention and that’s pretty much the only reason.  Done by Rocco at Death or Glory Tattoos in Westbrook, Maine.

Finally, I got my outer elbow to forearm done with a snake coiling through a skull and dagger and impaling itself on the dagger’s blade.  


I usually try to go out of my way to ensure that my friends/family/other people in general are happy, more often than I would like to admit, putting their happiness before my well-being.  This tattoo serves as a reminder for me not to do that so much, and to focus on myself sometimes.  The snake can be viewed as a protection figure, coiling around and through the rest of the tattoo, but has also caused injury to itself by doing so.  Basically, its my reminder that as much as I would like to help others, I need to keep my own happiness and well being in mind before I choose which action to take or I’ll end up injuring myself in the process.  Done by Mike Schweigert at Electric Tattoo in Bradley Beach, NJ.

A hearty thanks to Sean for continuing to share his tattoos with us over the years!

Friday, July 16, 2010

Sealed with a Snake

I spotted Steve one day, and got him to share this rattlesnake tattoo on his right arm:


Steve has three tattoos and is bass player for a band called S.W.A.K.

He came up with the design and had Gary, owner of Shotsie's Tattoo in Wayne, New Jersey, complete the process.

Thanks to Steve for sharing this tattoo with us here on Tattoosday!

Friday, July 2, 2010

Stephanie's Serpentine Strength

Under normal circumstances, I may not have stopped to chat with Stephanie about her wrist tattoo. However, she was playing with her new corn snake, which is not something you see everyday when passing through Pennsylvania Station.

Stephanie introduced me to her new friend Muñeca (the Spanish word for "doll")


and then elaborated on one of her three tattoos, the word "Strength" on her inner left wrist:


She had this done at a time in her life when she was depressed, so she put the word on her wrist to remind her to always be strong.

What's truly interesting about this tattoo and the juxtaposition of the snake is the serpentine nature of the letter "S". My friend and co-worker Maida also pointed out, when I showed her the photo, that muñeca also has the anatomical meaning of "wrist" in Spanish.

The tattoo was done at Progressive Tattoo in Lindenhurst, New York.

Thanks to Stephanie for sharing her tattoo and Muñeca with us here at Tattoosday!

Wednesday, May 12, 2010

Tattoosday Goes To Hawai'i: Mark's Sleeve Pays Tribute to East and West

I spent a good chunk of time at Ala Moana Center one of the days I was in Hawai'i. Even in paradise, malls are great places for inkspotting.

It was there that I met Mark, who had a full sleeve to offer up.


Now, before we begin, let me just say that I generally shy away from featuring full sleeves here on Tattoosday, out of respect to the host, the artist and, most of all, the tattoo. A work of art laid across flesh is often difficult to express in two-dimensional photos on a computer screen.

But Mark's sleeve was exceptional and I loved the color detail in the work. So let's check it out....


Items to note in this work:

Mark was born in the year of the Snake, which explains the serpent.


He was also born during Autumn, which is why the Japanese Maple leaves are sporting fall colors.


It's also generally non-traditional to see a bright red rose in a sleeve that is predominantly Japanese. He incorporated because he is, as he described it, "hapa," a shortened form of "hapa haole," or a person of mixed heritage, part of which is Caucasian. To make a long story short, the red rose is a nod to the "Western" aspect of his lineage, as it is more a traditional element in tattoos in the west. The rose is complimented by the chrysanthemum, which is a more traditional Japanese flower design.


Similarly, the skull element at the top of the arm is more of a Western flavor, juxtaposed nicely with another chrysanthemum.

I also love the multicolored pebbles in the design. They really pop out, especially among the milder tones of the autumn leaves and snake scales.

Mark informed me that the whole sleeve was completed in five or six sittings by Lucky Olelo at Soul Signature Tattoo in Honolulu.

Thanks to Mark for sharing his amazing work with us here on Tattoosday!

Tuesday, April 27, 2010

The Tattooed Poets Project: Lisa Gill

Today's tattoo comes to us courtesy of Lisa Gill:


Lisa tells us:

"Last September, I got a rattlesnake in my living room. (I live rural outside the small town Moriarty, NM). I spent over two hours in close proximity to the snake, and ultimately ended up calling the sheriff's department and getting a deputy to help me catch it and release it off my property. After the encounter I spent months and months writing direct address poems to the snake and ended up with a play where the snake speaks back. The Relenting is both "true story" and archetypal and imagined journey, paralleling the transformation the snake sparked. The encounter, and the writing where I tried to process the encounter, changed my life, and because my life had changed (and is still changing), I wanted a tattoo to symbolize the transformation.

The only tattoo image I considered was the Minoan Snake Goddess.

I understood her intuitively in a way I'm still working to express with words. I worked with tattoo artist Serena Lander. I knew Serena's work on visual artist Suzanne Sbarge, who regularly helps bring Serena to New Mexico from Seattle. I trusted Suzanne and was right to. I had a great experience with Serena, the right kind of energy and contemplative exchange. I wanted line work, one color, kind of ruddy toned. She took images I sent her from archeological digs at the Palace of Knossos and transformed them into the image now on my arm.

I consider the image both a prayer and a mark of a turning point in my life. (I have three earlier tattoos, two black, one white, all smaller, from a decade prior, sparked by a different significant recognition.) The subtext for the new one is this: right before the encounter with the rattler, I'd just made it out of a wheelchair I'd been in for five months due to multiple sclerosis. Arms are not something I take for granted any longer... and the tattoo in that respect is simply about gratitude and facing disability with resilience, as much as I can muster..."


Please venture on over to BillyBlog to read an excerpt from the aforementioned The Relenting here.

New Mexico poet Lisa Gill is the recipient of a 2007 National Endowment for the Arts Fellowship in Poetry, a 2010 New Mexico Literary Arts Gratitude Award, and just earned her MFA from the University of New Mexico this April. She is a literary arts activist, currently booking poets for "Church of Beethoven," and the author of three books of poetry, Red as a Lotus, Mortar & Pestle, and Dark Enough. A fourth book, The Relenting, is forthcoming with New Rivers Press (June 2010) and can be considered either a play or a poem scripted for two voices, rattler and woman. She'll be touring the play in the upcoming year, starting with a staged reading with Tricklock's Kevin Elder at 516 Arts in Albuquerque in June and then onward to Minnesota, LA, hopefully even to NY.

Thanks to Lisa for sharing her amazing tattoo with us here on Tattoosday!